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c. 1445 – May 17, 1510. Italian painter.

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Ambrosius Bosschaert
Still Life with Flowers in a Wan-Li vase.

ID: 92515

Ambrosius Bosschaert Still Life with Flowers in a Wan-Li vase.
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Ambrosius Bosschaert Still Life with Flowers in a Wan-Li vase.


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Ambrosius Bosschaert

(Antwerp, January 18, 1573?CThe Hague, 1621) was a still life painter of the Dutch Golden Age.He started his career in Antwerp, but spend most of it in Middelburg (1593?C1613), where he became dean of the painters' guild. He later worked in Amsterdam (1614), Bergen op Zoom (1615?C1616), Utrecht (1616?C1619), and Breda (1619). He specialised in painting still lifes with flowers. In 1587, Ambrosius Bosschaert moved from Antwerp to Middelburg with his family because of the threat of religious persecution. At the age of twenty-one, he joined the cityes Guild of Saint Luke. Not long after, Bosschaert had established himself as a leading figure in the fashionable floral painting genre.   Related Paintings of Ambrosius Bosschaert :. | Still Life of Flowers | Still-Life of Flowers | Wan Li vase | Flowers in a glass vase | Bloemstilleven in een Wan li vaas |
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Fernando Gallego
1466-1507 Spanish Fernando Gallego Galleries was a Spanish painter, his art is regarded as a gothic style. It is thought that he was born in Salamanca, Spain, an his first knowned works were in the cathedrals of Plasencia and Coria, in Caceres (Spain). His most famous knowned works are: The Retablo of San Ildefonso, in the Cathedral of Zamora The Sky of Salamanca, in the University of Salamanca. The retablo of Ciudad Rodrigo, now in the Tucson Museum, University of Arizona, USA. The Arcenillas panels, placed in Zamora. San Acacio and the 10,000 Martyrs, at the Meadows Museum. The last time that he was named in a document is in 1507, but we do not know the date of the death.
Theodor Rocholl
(1854-1933), German military painter and war artist. Rocholl was born in Sachsenberg (Waldeck) on June 11, 1854, the son of Rudolf Rocholl, the Lutheran theologian and philosopher. He was a student in Munich in 1877, then at the Dresden Academy. After a year, he moved to Munich where he studied historical painting under Karl von Piloty. He ocmpleted his art studies at the Desseldorf Academy where he developed his interest in military art under the influence of Wilhelm Camphausen; his contemporaries in this field were Carl Röchling and Richard Knötel. The artist observed the Franco-Prussian War and the subsequent German army manoeuvres between 1883 and 1888; in 1890, he traveled to Russia to view the German Garde-Korps on manoeuvre. Later in the decade, he was attached to the Turkish Army and covered the conflict in Thessalia in 1897 between the Turks and the Greeks; his sketches of the fighting were published the following year. He covered the Boxer Rebellion in 1900 as the official artist of the German expeditionary force. A decade later, he covered the fighting between Turkey and Albania. Many of his paintings depict German military scenes, especially the battles of the Franco-Prussian War. One of his most famous pictures depicted King William at the Battle of Sedan, meeting his triumphant soldiers after the victory. Rocholl also painted a large mural for the Evangelischen Padagogiums in Bad Godesberg. In his 60th year, he became a war artist covering the campaign on the Western Front. His War Letters printed in 1916 in which he described the fear and destruction. An autobiography of his life as a painter appeared in 1921. He died in a streetcar accident Desseldorf in his 80th year on September 14, 1933.
Master of the Legend
active in Cologne ca 1490/1500 Austrian painter and woodcutter. He is named after two altarpiece wings with three scenes from the Legend of SS Cosmas and Damian: the Miraculous Healing of the Leg, A Husband Commending his Wife to the Saints and the Delivery of the False Message by the Devil (Vienna, Ksthist. Mus.). He is thought to have been the earliest disciple of Lucas Cranach the elder in Austria and to have been later influenced by both Albrecht Altdorfer and J?rg Breu the elder. His rather stately figures are in splayed-out, often affected poses, with the feet and knees twisted outwards, appearing almost dislocated.






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